My Favorite Jam Songs
June 26, 2008
Here’s a list of some of my favorite jam songs. Martha blows me away everytime she does “Lonesome Road”, so that’s one of them. Here are some more:
Jambalaya (Just two chords!)
Sugar Moon (Bob Wills…aha!)
Chantilly Lace (Oh baby you know what I like!)
Princess Poo-Poo-Ly (She loves to give it away!)
“Play Well With Others” Is Here!
June 26, 2008
Play Well With Others: How to Jam Like A Pro is finally available, either hard copy or online!
Click here to get your free section! Click here to order!
Our new book, Play Well With Others, is the most complete book about jamming on the market. Here’s why:
You’ll Learn-
Jamming Do’s and Don’ts, Jam Types and Jam Styles
How to Avoid Being a Jam Buster
How to Play:songs with two-chords, three chords, then more complex chord progressions
Easy Transposing, How to Lead a Song in a Jam
Tips for Playing Instrumentals,and much, much more!
Musical Moment
June 17, 2008
Last weekend I was at the most amazing acoustic event. A friend, Dave Lizor, was celebrating 30 years of hosting monthly jams at his house and invited people to camp, jam and listen to numerous musical groups that emerged from the jams over the years. Late Friday night (more accurately, early Saturday morning) one advanced jam was playing everything from blues to bluegrass to rock n’ roll to jazz and Karen suggested we do “One Note Samba” then said, but that is not a good jam tune. (Normally it is not a good jam tune unless the musicians know jazz, can follow a chart or know the song.) Barry, sitting in the circle, said we should do the song because everyone in the jam was a pro who knows when to sit out and listen.
We played the song and some musicians added parts and some did not. Barry’s statement caused me to reflect that being a pro doesn’t mean you can play everything or on every tune. It more accurately implies that you can be in the game as well as have the judgement to contribute your ears rather than your notes. The jam was amazing, with everyone in the circle understanding that nuance.
Musical Moment-June 9
June 13, 2008
Tuesday I played again at the Merriam Organic Farmer’s Market (in the Kansas City area). This time it was Martha and friends, and after the gig was booked I was relieved to learn I have friends who are darned good musicians. Mike Walker (my co-writer on Play Well With Others) and his wife, Vicki, and friends, Karen and Lee joined me. We have jammed together many times and this time actually practiced to put some of our jam tunes into performance mode. The rains did not come this time but the winds were strong. Lee cut an effective creation from a McDonalds plastic cup to shield the wind from the omni mike.
I think my favorite song of the evening was Princess Papouli (who has lots of Papayas that she loves to give away). Vicki and Mike sang a duet and played their ukes while Karen added a jazzy beat on the guitar and Lee ran fingers all over that funky old stand up-bass. And I got to improvise on flute, yeah! I bought organic produce which I have been busily cooking and eating.
Jam Workshop
June 9, 2008
Tired of playing solo? Want to play music with real human beings? Learn how to jam like a pro. If you learn to listen, remember a few rules, keep a steady beat and when to lead and when to follow, you are on your way. Bring music to share. Martha has performed in many venues including Prairie Home Companion and Mike is a ukelelist extraordinaire who plays in a local ukulele group
Meets: 7/31/2008; 6:30:00 PM - 8:30:00 PM
Mountain Music Shoppe
12710 Shawnee Mission Pkwy., Shawnee Mission, KS
To sign up call 816-235-1448 or go to www.umkc.edu/commu/
Moment - Posted June 8
June 9, 2008
For the musical moment last week I would pick one that happened in a put together performance for the Merriam organic farmers’ market. Bill Langsdorf and I of the Checkered Past band were filling in time before two other band mates (Lynn Snyder and Kerry Stanley) could join us after work. We jammed on Bill’s bluesy finger picking version of Amazing Grace and jazzed it up with flute and harmonies for a moment that sound like we had actually played the song long enough to be loose on it.
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